Nocturne, for Flute, Clarinet, Percussion, Harp, Violin and Violoncello (2010)

Nocturne, for Flute, Clarinet, Percussion, Harp, Violin and Violoncello (2010) [6’45”]

20:30, Monday, Apr 25, 2011, premiere │ YI-DE CHEN’s Composition Recital
Experimental Theatre, Taipei National University of the Arts, Taipei, TaiwanTzu-Ning Huang, flute │ Kai- Ju Ho, clarinet │ Hsin-Li Liu, harp
Sheng-Wen Lee, percussion │ Wen Hung, violin │ Tsun-Yi Huang, violoncello
Wei-Hsiang Hsu, conductor

Program Notes

Beginning with the F-sharp pitch, the music gradually expands under the ornamentation of percussion and harp, as if the darker and deeper night came. In such a peaceful night, I seem to have gone into a dream.

In this vague consciousness, perceiving only blurred colors, lights and warmth, my heart is aroused and awakened. In this passage, the dream is represented by the expressive melodies and diverse organization of timbre and harmony.

Suddenly, I am awakened from this fantasy dream. Inexplicable loneliness surrounds me –as if, faintly, my soul dissipated. The pitches gradually converge again and return to the original tranquilty of the F-sharp tone as though I am melting, carefree, into this beautiful night.

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《夜曲》（給長笛、單簧管、擊樂、豎琴、小提琴與大提琴）(2010) [6’45”]

展演名稱：陳以德─作品呈現音樂會
日期：2011年4月25日，週一，20:30，首演  
地點：國立臺北藝術大學展演藝術中心─戲劇廳，臺北市，臺灣

樂曲解說

本曲由F-Sharp 音開始，在擊樂和豎琴的點綴下，逐漸擴展開來，彷彿夜晚越來越深了。在這寂靜的夜空底下，不知不覺中，我似乎走入了夢境。

在模糊的意識中我僅看見朦朧的色彩和光影並感受到某種特別的溫暖。此段落中，以慵懶的旋律和其音色的銜接，來代表夢境。

突然，我被自己的幻想夢境給驚醒，莫名的孤寂，包圍我。好似朦朧地，我的靈魂消散開來。而漸漸地，樂曲的主要音高再度往內集中，回歸到F-sharp 音上，一切彷彿回到了最初的靜止。瀟灑地，我融化在這片美麗夜空的懷抱中。